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Out Of Phase - Who's Next 2002 - A Tribute To The Who MP3

Out Of Phase - Who's Next 2002 - A Tribute To The Who MP3

MP3 2167 mb. | FLAC 1683 mb. | WMA 2819 mb.

Performer: Out Of Phase
Title: Who's Next 2002 - A Tribute To The Who
Country: US
Style: Experimental, Ambient
Category: Electronic
Rating: 4.3
Label: Big Eye Music

Tracklist

1My Wife
2Bargain
3Behind Blue Eyes
4Goin' Mobile
5Gettin' In Tune
6Won't Get Fooled Again
7Baba O'Riley
8Love Ain't For Keeping
9Song Is Over


Barcodes

  • Barcode: 0666496419421


Album

Who's Next 2002 - Various Artists - The Who Tribute. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Who's Next 2002. Исполнитель: Various Artists - The Who Tribute. 2001 rock. Who's Next is the fifth studio album by English rock band the Who. It developed from the aborted Lifehouse project, a multi-media rock opera written by the group's Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on Who's Next were from Lifehouse, the. Out Of Phase is founded in 1998 as an ambient electronica project which evoluted to trance music. In 2000 he started to make tribute albums like The Wall 2000 and Acoustic Ladyland to name a few. A few years later he strarted to produce chillout and ethnic lounge again. 사이트: . 회원: Maska, Peter Mossman, Tira Skamby. 변형: 모두 표시 중 Out Of Phase. Who's Next by Out of Phase. Release date. Big Eye Music. Catalog number. BIG 4194 2. Tribute to. The Who. Added by DashBoardDJ856. Tracks 9. Exclusive Prime pricing. Please retry. Much of Who's Next derives from Lifehouse, an ambitious sci-fi rock opera Pete Townshend abandoned after suffering a nervous breakdown, caused in part from working on the sequel to Tommy. There's no discernable theme behind these songs, yet this album is stronger than Tommy, falling just behind Who Sell Out as the finest record the Who ever cut. Townshend developed an infatuation with synthesizers during the recording of the album, and they're all over this album, adding texture where needed and amplifying the force, which is already at a fever pitch. Whos Next, regardless of what you may have been led to believe to the contrary, is neither the soundtrack to the realization of Pete Townshends apparently-aborted Hollywood dream, the greatest live album in the history of the universe, nor a, shudder, rock opera, but rather an old fashioned long-player containing intelligently-conceived, superbly-performed, brilliantly-produced, and sometimes even. If, instead of a Heavy-loving barbiturated kid who discovered in the wake of all the jumpin and jivin that accompanied the release of their last two albums that the Who resemble Led Zeppelin and so on on a gross aural level and must. The Who - one of the most experimental hard rock groups of the '60s and '70s - were rapidly evolving musically when they released The Who Sell Out on Dec. The group's third album was an ambitious artistic step toward the concept albums with which they would become most identified, serving as a bridge between 1966's A Quick One and the 1969 rock opera Tommy , on which Pete Townshend 's genius for interlinking songs would be fully realized. The Who Sell Out was an artistic triumph that helped the band make that transition, as well as a psychedelic pop-rock mas. The cover photo for The Whos Whos Next album shows a photograph of the band apparently having just urinated on a large concrete piling protruding from a slag heap. The photo was taken at Easington Colliery a former coal mining town in County Durham, England. Easington Colliery is situated to the north of Horden, and a short distance to the east of Easington Village. Its somewhat impossible to know exactly where this concrete monolith stood but most people agree that it was in the general area above the beach. Chris Roberts2002. The Whos fifth album is one of those carved-in-stone landmarks that the rock canon doesnt allow you to bad-mouth. It was pretty rad for its day. Heres the twist: it still sounds ablaze. As . fans will vouch, theres not much that isnt thrilling about Wont Get Fooled Again and Baba ORiley, which howl and kick like they were born yesterday. Like many near-masterpieces, it wasnt meant to turn out like it did. Pete Townshend had one of his futuristic rock opera ideas, and recordings began on a work called Lifehouse. It wouldnt gel, so The Who made the most of the